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For example, when I read Uncle Tom's Cabin, I felt the conspicuous presence of Harriet Beecher Stowe in my head. I was reading with the author's lingering breath moistening my ear. She had an odd way of placing her thumbs on the lobes of my brain and whispering, "This is a bad character! You don't like him! Here is the plot. Here is the problem. Now think THIS!"
Until I came to college, I was used to this type of reading. I did not read to find new meaning in someone else's work-- I read to gain information only. I read the world like an encyclopedia, a Dicken's novel, or a Sharon Creech book. I read to take; I never read to contribute.
And then there was James.
Henry James was different. When one reads Daisy Miller, one feels the decisive indifference of the author. Was it sad that Daisy perished in the end with no elaborate bedside scenes or fallen lovers? Frankly, it would seem that James simply didn't care. I undoubtedly did not either; I found the writing trite and egotistic and boring. When I opened the book, it seemed to me that James would immediately rise from his tea, tip his hat, and leave the room. Well, it's all well for you, Mr. James, but I am being force fed this nonsense, I would think.
He may remain indifferent, but the members of Evelyn Funda's English class could not.
And all the while the English majors would snip and snap and twist and take and talk and soak in all this terrible, terrible literature.
And then Ms. Stein popped into existence.
Gertrude Stein was the worst of all. When I read "The Making of Americans," I felt like I was in a glass box. Not only was the box glass, but it was a glass box with no holes, and no air, and no door. I read the words and tried to make sense of them-- words that are words and not much else; words that are abstract, that are the medium of the message, that are a perfect Picasso of words and nothing else--but I failed and failed because my brain cannot make order out of chaos. And all around the box was Gertrude Stein-- pressed hard against the glass, laughing, laughing, laughing-- and me inside trying and repeating and trying and repeating... and all the English majors were at war with each other, and there were papers and punches flying in every direction, and there was blood on the floor.
And serenely smiling over it all was Evelyn Funda, saying "more, more, more!"
I don't understand English majors or American literature. And yet, as sad, and as sorry, and as petty as it seems, I try very hard to fit in with them.
It will forever be my blight.
A LIGHT in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even withstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain.
~Gertrude Stein
I knew I would give in before we even entered the park.
Over the past few weeks, I have kept an admirably steady strain of weak justifications as to why I should not ride the skycoaster at Lagoon. As talented as I am at rationalizing, however, I am simply no match for the power of persuasion.
Miss Packard and Miss Edge raised the question of the skycoaster long ago, and since the moment the idea was first introduced I stewed over my options and dreamt up many honorable excuses for their benefit.
The first stated concisely that I was afraid of heights. I was privately convinced that this phobia combined with the fear of free falling would certainly result in my spontaneous and tragically early death. Prior to this point I never considered myself a weak individual. Give me a crinkly old book or sit me at a desk all day, and I will survive the boredom. Poke me with pins, draw my blood, feed me on nothing but bread and water-- I will scrape through physical pain unscathed. But dangle me from a cord one hundred and fifty feet in the air and drop me head first at 80 miles per hour and I undoubtedly will extemporaneously expire from the sheer idea of an adrenaline rush.
That is who I am; I am soft of heart, mind, might, and body. It is this that caused me to look into the pouty faces of my friends and be converted against my will. I followed them to the gallows quite willingly, tripping behind with delayed steps and a very confusing mixture of pressurized fear, bewilderment, and rapidly vanishing dignity.
It only took one look-- one glance in my direction to flip flop my willpower-- one look from two pairs of ooey gooey eyes and I was unceremoniously suited up with a purple jacket and clipped to the left of Natalie Edge and Brittany Packard several feet above the ground. And then the cable began pulling us up.
I believe I closed my eyes as we were lifted, but not before I saw the trees fall quickly away, the hoards of amusement-seekers shrink into tiny colorful dots below, and the ground become sadly and uncomfortably distant. I death-gripped Natalie's arm and squeezed my eyes shut. "You can stop now!" Brittany continued to yell as we dangled from the rope.
And then we heard the fateful voice come over the gentle hum of atmospheric wind, "Are you ready? 3, 2, 1, fly!"
Brittany pulled the cord, hard and fast-- like a band aid. However, she paused one moment to say, "This is it!" and I felt my intestines retreat further into my body in the fearful anticipation of being splattered and smashed on the sidewalk.
And then we fell straight down-- it would be a quick, fast, painless death. I can't remember if I screamed or not. In my head I was yelling bloody murder, but I think I only was able to voice a weak and kitten-like mewling on the way down. I stopped as soon as we began swinging back and forth-- Peter Pan style-- but continued to leech myself to Natalie's arm and absolutely refused to extend my own.
Sooner than I could have possibly hoped, it was over. I was more or less in shock, and rather light headed from the fall-- but ultimately I was completely unharmed and utterly speechless.
Because of my dear friends, I have learned something new about thrill seeking. For those of us who don't normally look for excitement, a bit of regulated free-falling doesn't hurt a bit. Yes, it scares us to death-- but afterword we can happily fall upon the ground and kiss its stable beauty, and simultaneously walk taller than the trees.
Britt and Nat,
We are as good as blood sisters now.
Welcome to the club.